yoruba records is happy to release this dance floor ready ep by label head osunlade. stretching across a range of styles theres something for everyone in this release, an absolute must for every djs bag. the ep opens up with the title track, what pho. a relaxing jam driven by a powerful sounding grand piano and complimented by shakers, the added backing percussion and subtle bird chirps lend well to the creation of this tracks rainforest-esque mystique. next up is the deep, almost jazzy track – jus anuda groove. the rolling bass line and four to the floor beat will get you moving – and keep you there - as osunlade reminds us that this is just another groove. opening up the b-side is schavanna, a funky, guitar-driven track whose pulsating bass line and friendly but muffled vocals will keep people moving on the floor. finally, the ep closes with the waiting game, a hypnotic, tribal-learning track with a foot-stomping beat, colored with the seductive vocals of rainy payne, its hard to tell which is more captivating, the groove itself or the story line she unfolds.

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

dungeon meat are back with a bang and start 2015 with a mighty slam of the hammer. the 4th ep to come from the dungeons and a special one as the boys enlist one of their long time inspirations point g aka dj gregory to deliver his first ep for the label. this heavy 3 track collection marks the first collaboration between the parisian don and leeds finest beat butchers. an alliance that will have fans of both artists hot under the collar. dm are very honoured to be the first label outside of point gs own imprints to release a full ep from him. here point g delivers a selection of his trademark stripped back club bangers ready to do the damage on any dance floor. if this is a taste of things to come then we can t wait to hear what is served up in the near future from this united force.

we are proud to present the debut ep from docteur satan, a new project by i m a cliches own crackboy, aka krikor. †docteur satans speciality resides in injecting a lethal dose of horror to the dancefloor through the lens of new beat, belgiums own slow burning and utterly decadent sound.

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

die 28 songs auf dem limitierten doppelvinyl *feel so fine* sind maßgebliche aufnahmen in der entwicklung des reggae vorläufers, ska (oder blue beat). nachdem der shuffle blues aus new orleans die jamaikanischen soundsystems bis in die 60er dominierte, fingen parallel zur entwicklung des soul in den usa soundsystemgrössen wie arthur duke reid und clement seymour coxson dodd an, eigenene lokale aufnahmen zu produzieren, die sich schliesslich immer weiter vom new orleans r&b entfernten und zu ska wurden.

chicago killer tracks by paul johnson

ascion’s new solitary adventure on 3th records is the five tracks ep -public head-. imprinted in a folder that is designed by the producer himself, it starts with the electro-ish journey of “landescape” continuing towards the atmospheric broken-beat techno “public head”. on the flip side, “acido rosso” is a banging track in the manner of late 80’s acid-house that creates a strong anticipation for a classic techno cut, “xlight”. the ep is closing with the dramatic sci-fi attitude of “carnival”.

the new wave of dutch brutalist techno. ekman and drvg cvltvre have been forging a sound steeped in bunkers nihilism and dystopia but also very much their own. ekman drops two piping hot tracks that blend distorted machines with hypnotic melodies and drvg cvltvre drops a prolonged 15 minute workout in uvb static and communications, propelled by a heavy beat and a 303!

finefood records is very excited to release safka ep by two very promising swiss artists, marco da mata & ema. light and airy yet slave to an unrelenting dance floor beat, this original track, while being wild as a lion, is restrained by intricate melodies and tamed by haunting whispering voices.

there is almost a year that ortella released his first ep on rutilance recordings. the previous release -ruti005- was adored by the label s followers. that s why the french label now offers a logical continuation of the series -mad in lyon-. same atomic recipe. enjoy!

quality house stuff as usual from the ava family... incl great damiano von erckert rmx

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

nice price deal !!! shrinkwrapped gatefold 2x12 lp featuring alltime classic house / club tunes
bomb the bass - beat dis / s express - theme from s express / mickey oliver - in ten si t / ralphi rosario - i want you / marshall jefferson - move your body / black & white brothers - put your hands up / gala - let a boy cry / double dee - found love / wink - higher state of consciousness (tweakin acid funk)

chicagos original bernard badie is back and delivers four new tracks for mojuba! the creator of the classic time reveals is showing his skills with this new ep to the fullest! his vision of chicago house 2015 comes in four different flavours and will please everybody who loves quality and kicking house music! open up you ears and let the music make you dance!

limited to 300, hi quality artwork, incl dunkeltier edit

on the first release for mannella on his own imprint, the ice is broken by generous strings and subdued synths. revisiting “space candyman” with his distinctive stamp, marieu blows up every emotion in a swirl of high spirited techno. the b side displays all the intensity of this release, starting by the pure beat of the original mix. lucretio s remix is a mighty vision of “letters from mars” with a dogged bustle of reverberated drums and filtered chords. consider a tree for a moment: we just see and enjoy its beauty, but it must develop its roots under the ground to bloom all its beauty and grows up strong. in much the same way, jt series sinks his particular sound in a ground covered music grove. so, the fruits of our tree, are a collection of sounds thought out of the box. mannella, that runs this berlin based label, never stop explores the vast world ingrained in his machines. a sensorial techno contaminated by the most varied influences.

mit dem nachfolger von *how it is*, seiner 2013er-single auf dem label hypercolour, wagt der englische deep-house-produzent j. wiltshire einen ganz schönen sprung: vom verführerischen deep-house-sound zum reifen, grüblerischen electro body popping bizzness. naben dem originalmix von *false awakening*, der mit einem schönen synthesizer-pizzicato zu einem elektrogefärbten beat eröffnet, finden sich hier ein clubby tool mix sowie zwei remixe von tuff city kids alias gerd janson und phillip lauer (remixten bereits numbers, crème organisation und visionquest): einen remix und eine dub copy.

welcome to the 3rd vinyl release of local sound network. label owner, ryuji takeuchi, is on duty to drop this superb ep. ryuji represents 2 off beat techno tracks with spectacular atmosphere, whereas, 2 remixes emphasize straight 4/4 rhythm patterns with even wider feeling.

printed deluxe sleeve, 180g vinyl, two bonus dj beats.

sorn002 welcomes another experimental beat maker tot he fold. asan is likely from another planet. his take on techno is like no other. expect wild drum patterns, freaky synths and alien grooves. synth lord steve moore strips things back in a way only he can and creates an arpeggiated synth journey which you d never tire of, even if it was 45 minutes long!

lab.our 05 showcases tracks by 4 different artists, displaying a diverse spectrum of deep sounds. lab.our music co-owner j-ul’s first ever release, tempest, is a moody, beat driven track with layered synths. maxwell church returns to the label with elastic ban, a rolling rhythmic journey with tense strings. newcomer, and toronto native, gabe rebong drops praise, a dancefloor burner with a barrage of beats and energetic vocal snippits. last but not least, veteran chicago skyway brings us vase mix 3, an atmospheric and melodic jackin’ track

umeks infamous label 1605 returns on wax with a bang with two firing break beat / electro techno inspired cuts, a main stay in the big mans sets for the last few months.

unter dem bescheidenen titel *best of* fasst die berlinerin pilocka krach elf hits aus ihrem aktuellen schatzkästlein zu einem bemerkenswerten debütalbum zusammen. die vinyl-lp erscheint im klappcover, downloadcode inklusive.

we are artists with an inward perspective that toil endlessly to perfect our technique. we have proven ourselves over time as leaders of a beat less traveled. in this time of followers and cheap hustlers we are the oddities outside mainstream dogma. we are the heroes of cryovac. the rat pack of cryovac are keith kemp, kero, a. garcia, and kimyon huggins. we are a detroit based collective that come together from our personal projects to share our broad view of what techno is. keith provides a driving minimal sickness that builds and fades with dark intent. while kero relies on a random modular approach that is corralled by 4/4 beating. a. garcia produces a rocker that is driven by dirty soulful tones and choppy vocals. kimyon takes us out with a computer rhythm that is mixed down with straight human soul. this vinyl represents a combined effort of artists and craftsmen working together to bring this idea to life.

im beat der tanzenden leoparden: erstes album der schweizer world-beat-band seit 2010. pressung auf neon-grünem vinyl.

in a time before cdj loop buttons and stone-cold arrangement techniques, bonus beats and beat records were a vital tool for aspiring, working and tone-deaf djs. the third release in an unofficial beat-tracks sublabel (se redshape and todd osborn for further reference) rhythm trainx vol 1 tries to breathe new life into that lost craft with an all-star cast: manuel tur, i:cube, blank spanner, disco nihilist, Âme and radio slave. all in different bpm, varying styles and (un)fortunately a bit more than simple kick-drum-hi-hat patterns. built to last.

illusion limited is the limited press sister label to illusion recordings. the label will shine light on new artists and sounds not currently represented on illusion. the first release kicks off with the highly talented manchester based artist seelie who delivers two slices of subtle, classy deep house. this ep has been a while in the making and shows a real development in seelie s sound from classic house to deep textured and hypnotic house. blm provides a huge remix on the a side stripping things back and letting the analogue bline and minimaistic drums create a heady, yet dancefloor track. dilated pupils provide a unqiue broken beat remix of the hypnotic desire on the b-side to round things off and kick off this label in style.

following last years extended versions 3, barcelonian underground bld hits us with a new ep straight to the club. two versions of the monstrously acid and beautiful dub building track crawling on the a side and the epic break beat twisted on the flip side. limited copies.

following the ewan pearson rsd mixes we present further high quality remixes of craig bratleys debut album from velvet season & the hearts of gold and midnight special. velvet season & the hearts of gold remix computer controlled, one of the stand out tracks from the album

taking one track from each of the under the influence cd compilations, and feat unreleased tracks and an exclusive joey negro edit of sweet talks -do the beat-. dj support: jimmythetwin, pete haigh, faze action, nowicki, mudd (claremont 56), señorlobo (lovemonk), red greg, paul phillips

after the last lessizmore release found san proper and maayan nidam crossing swords for the simmering, jammed-out tones of it was a night like this, now the label turns to another close ally for a slice of discerning, upfront house music. louis mcguire lives many different lives in music, from drumming with indie pop outfit ballet school to playing bass for lo-fi electronica group the waves & us. now though his own solo productions are being noticed in the house and techno world, with this new ep following on from a well-received debut on supply records. the diversity of mcguire’s musical leanings feeds into his distinctive sound, as his own take on stripped down, sensual house music bristles with unconventional energy to make for an unforgettable experience that steps up to the most creative frontiers of dance music. live drum sounds rattle around the mix free from quantized safety, while the melodic tones come on warm and fuzzy, capturing the hazy romance of a late morning session as much as the early part of the evening. it’s apparent that mcguire’s weapon of choice is the mpc, channeling his love of gritty beats in the grand tradition of point g and j. dilla. you can hear the spirit of the most adventurous micro house pioneers in the quirky funk of light hearted, while Óreitha revels in the transcendental qualities of a sustained groove without even a whisper of monotony. even with these unusual qualities the music is resolutely built for the dancefloor, and that mcguire manages to be so creative and so focused in the same beat is reason enough to keep tabs on this multifarious and unpredictable operator.

ltd repress! already played and supported by raresh and alex picone. the a side is chilled with a broken beat groove, perfect for every after party, the b side, with its 4/4 groove is perfect to start every night.

l.b. produce return with the second release! here again, phrased merge raw atmospheric pads and crunchy drums together, sliding from the detroit-esque come with me to the more broken beat on the edge of forever , a really diverse ep that closes on an ambient tip with the exquisite mist .

flumo limited returns in the form of a translucent blue 10 inch, slice of blue acid from el_txef_a. the release features 2 originals that incorporatesthe emotive and deep vocals of terence mckenna and is packed full off 303 beats, ready to do the work on the dance floor. side a of this double sider comes in the form of ‘neurotransmitters communication’, a 9 minute roller which blends heavy bass beats and piercing vocals into on ocean of squelching undertows. for side b, el_txef_a presents us with ‘fear vs love’, intertwining flutters of break beat around chugging acid melodies, and leaving the listener with a perfect combiantion of sonics. this is one piece of wax that is almost certainlly an essential for your record bag, a homage to the warehouse raves of times past and a melting pot of acid acoustics.

the second instalment from the bremen based drowned records! this various artists ep sees four blistering tracks covering a broad range of styles - the gritty, beat driven drumteror , a clanging house anti-anthem from lem, soft, pad laden journeys from qnete and a straight techno stomper from tobs! an essential release from this fledging imprint, comes in extremely limited copies, with hand screened sleeves!

sweet valley is nathan williams (wavves) and his brother kynan, two bongwater-soaked beat geniuses making rap instrumentals that feel like melted playstation games. mndr is a one-of-a-kind artist and songwriter versed in britney and breakcore in equal measure. put them all together with producer peter wade and dance 4 a dollar is the result, a darkly catchy cali masterpiece. sv chop up strip club 808s and woozy synths like they are reclaiming trip hop for the dj mustard era, while mndr explores the underbelly of radio songcraft, finding the creepiness inside champagne anthems and coating tales of teenage nihilists with rihanna-worthy ear candy. decay never sounded so sweet.

the combination of ron hardy, adonis & frankie knuckles on one record should make even the hardest of house heads excited. *work the box* is that said record, featuring production & mixes from all of these legendary figures in classic chicago trax fashion! experimental, spaced out, hard, minimal, raw & jacking, all words that could be applied to the 4 cuts contained here. this is the real deal, up there with the best jack tracks, direct, straight to your dome bangers with a left-field edge. %100 essential. the sound of the warehouse & the muzic box 1986 right here! repressed, remastered & re-released in conjunction with trax records for 2015.

(jimmy edgar x travis stewart aka aden + features by jamie lidell & jesse boykins iii) jets production finesse, awash with a delicate nocturnal mood as analogue drums meet colorful chords against a nightscape of glossy darkness.

bitter moon has criss-crossed europe to gather a trio of heavy house hitters for lunes de fiel vol. 2. creme organization prodigy innershades gets the show on the road with the synth slamming groove of -moments of euphoria-. new beat memories bounce alongside rumbling rhythms in track guaranteed to ignite speakers. next stop is germany with snuff crew and -your hands-. the jack experts fillet their trademark raw edges for a smooth and soulful piece of late night chitown. smoke curls around chords, claps are softened as samples turn in a twilight haze. the final destination, italy, is bathed in the 303 sunshine of -#acid-. the white rabbit recordings founder uses the building blocks of chicago to produce a fluid floor filler. cymbals, cow-bells, toms and snares are soaked in a devilish brew of acid. bohemian body jerk to a 4/4 beat to bring down the curtain on this latest instalment of lunes de fiel.

slamming deep (house) album with great influences from hip hop / soul, funk, downbeat...

house bangers from austria! first music is a sublabel of leap records! hand stamped limited to 100 copies

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.

a1: song stronge th sound foundations of early 90ies chicago and nyc housemusic define heat vibes trademark. with a bassline as hyper as earliest rave days in y all garage, this track will kill doubts by the drop! a2: nasty troubble nasty - as we like it... marching and shuffling in on a low slung beat and dry drums, the 92 style killer chords make this a real powerhouse affair. root out your troubles! b1: certified this track ensures people rushin the floor. classic deep house chords meet euphoric vocal bits and a battery full of charged and vibrant beats to fill you up with a mood that sets you free from any stress. b2: certified / locklead mix refixing certfied demandingly, wonderkid locklead ventures asides of the hot haus records stable garnering the original with a nasty beat n bass workout. as abstract as raw n funky. bangers anyone call locklead! the member of utrecht*s slapfunk crew is sure to bang n slap your floor.

ein meisterwerk aus dem jahre 1976 wird offiziell als lp-vinyl wiederveröffentlicht. king tubby (bürgerlich osbourne ruddock) ist die lichtgestalt des dub reggae, die tragischerweise am 06.02.1989 im alter von 48 jahren bei einem raubüberfall erschossen wurde. surrounded by the dreads- erschien ursprünglich auf dem wenig bekannten fay music label des produzenten winston edwards und wurde mit den musikern der natty locks band in king tubbys studio eingespielt. auf drei der zwölf stücke sind die stimmen von tony brevett (von den melodians), prince heron und carvin bradford zu hören.

lht 009 is here with the second installment of jamie blancos unknown reason as the a side, the original mix which creates a moment of late night drama for dancers, fx mchn makes a welcome return with his trademark dark eerie sound, rolling mutating crispy beats and weird vocal samples, then its a newcomer to lht, old friend of the label dan clark as in his late night audio production guise utilises the vocal skills of a local hackney girl and adds them to a proper shuffling beat and super deep bassline, and finally mainstay facade brings us one of his best pieces of work yet with a stunning slow analogue house workout that goes way deep with added dub delay fx warm chords and arpeggiating bassline

it was very important for me to give a dub-ish colour to this ep and propose something different than what people already know from me.‘pressure feed’ is a tribute to all maurizio’s tracks which i never get bored listening or playing. regarding ‘water flood’, i wanted to produce something simple that stands far from the traditional 4/4 beat. i wanted to make it a break beat on the kick while bringing refined ambiance and atmospheric patches to it. finally, ‘cold atom’ is the result of a permanent rhythmic evolution that embodies the vision i have of an astral trip, both dub and intense.- yakine

tooth faeries brings together mark brydon and parrot. the sound is their new release on shabby doll - two versions of the title cut plus the gently pulsing love & resistance. deeply melodic yet also crisp and compelling, the sound layers carmen squires lush vocal over a martial drum beat, unleashing a dose of deep sheffield bass just when it matters most.